Designing Reminiscence explores the profound power of photographs to evoke nostalgia and the unspoken connections that emerge when we engage with the memories of others. This thesis emphasizes the significance of holding on to memories and preserving moments in time, creating a bridge between personal history and shared experiences. The project is divided into three sections—Home, Life, and Family—to add distinction and organization to the systematic approach of memories, each representing a different facet of personal history.
The exhibition board features images from my family, ancestors, and my own life—deliberately designed with no white space, symbolizing the fullness of life’s memories. I incorporated hand-drawn Polaroid illustration cards, postcards, letters, and other small artifacts to invite viewers to reflect on their own memories and contribute to the narrative. As visitors engaged with the board, their own memories intertwined with mine, transforming the space into a collective tapestry of shared nostalgia. Additionally, ticket stubs were created for the "Designing Reminiscence" event, offering a tangible piece of the experience for attendees to take home. Ultimately, this project illustrates how photographs are not just personal artifacts but gateways to universal human connections, reminding us of the ties that bind us together across time and space.
